Home

Bio & Disclosures

Discussions


xFruits

2007 Events

Monday, September 22, 2003

Author:   Doc Searls  
Posted: 9/22/2003; 3:25:41 PM
Topic: Monday, September 22, 2003
Msg #: 3974 (top msg in thread)
Prev/Next: 3973/3975
Reads: 5274

The usual Arg 
 Every time I come back from a trip I forget to reset my outbound mail server for the one Cox insists I use, rather than my own, which it blocks on Port 25. Yes, I know there are workarounds, but I forget them. Remembering to change the SMTP server is easier. Once I remember. Which just happened at the end of a day when none of my mail went out, because I forgot. Isn't tech fun?
 
Proof that blogs are the duct tape of journalism. Or: whatever. 
 The American Chamber of Commerce in Kazahkstan has (is?) a blog.
 Perhaps related: Blogalization.
 
How ya doin? 
 Try plugging your salary into the Global Rich List. Might help rationalize doing something fun with iGive.
 Thanks to AREF-ADIB for the link.
 
The Story story 
 Some thoughts on Dave Winer's Paul Krugman and Lies, which is getting Slashdotted at the BloggerCon site. (Contextual links: Krugman's column collection at the NYTimes, and Chris Lydon's interview with him.)
 Dave's point is that the press too often defaults to Opposing Viewpoints on subjects that either aren't in dispute (Krugman's example is a hypothetical "debate" about whether or not the world is round) or where the journal itself has a well-masked base opinion:
 An example, a story on file sharing last week. The reporter shows us one extreme, and then another. But the second isn't very extreme. And then the obvious thing that all copy editors seem to love. "The truth lies somewhere in between." The conclusion, that anyone who listened to music on a computer is a pirate, is not true. It's a lie. And because it's so well hidden, and sounds so reasonable, it's a worse lie. Better to come out with it. According to the NY Times everyone who listens to music on a computer is a criminal. Have the guts to call a spade a spade, if you really mean it, don't hide it in a mist of fake reasonableness.
 My take... There are two very different reasons why papers like the Times default to the opposing view format for covering a subject.
 One is that fights make good stories, and the easiest fights to cast and cover are ones with only two sides. I've written about this before. Teddy Bush is one example. What Tale Are We Spinning? is another. (Isn't it nice how blogs spare us the need to keep repeating ourselves — at least for that 10% of the cases when readers bother to follow links?) The linguist Deborah Tannen does a terrific job with the subject in The Argument Culture. Sez Deborah:
 The argument culture urges us to approach the world — and the people in it — in an adversarial frame of mind. It rests on the assumption that opposition is the best way to get anything done. The best way to discuss an idea is to set up a debate; the best way to cover news is to find spokespeople who express the most extreme, polarized views and present them as 'both sides'; the best way to settle disputes is litigation that pits one party against the other; the best way to begin an essay is to attack someone; and the best way to show you're really thinking is to criticize.
 The war on drugs, the war on cancer, the battle of the sexes, politicians' turf battles — in the argument culture, war metaphors pervade our talk and shape our thinking. Nearly everything is framed as a battle or game in which winning or losing is the main concern. These all have their uses and their place, but they are not the only way — and often not the best way — to understand and approach our world. Conflict and opposition are as necessary as cooperation and agreement, but the scale is off balance, with conflict and opposition overweighted. . . .
 "In the argument culture, criticism, attack, or opposition are the predominant if not the only ways of responding to people or ideas. . . . It is the automatic nature of this response that I am calling attention to — and calling into question. Sometimes passionate opposition, strong verbal attack, are appropriate and called for. No one knows this better than those who have lived under repressive regimes that forbid public opposition. . . . What I question is the ubiquity, the knee-jerk nature, of approaching almost any issue, problem or public person in an adversarial way. One of the dangers of the habitual use of adversarial rhetoric is a kind of verbal inflation — a rhetorical boy who cried wolf: The legitimate, necessary denunciation is muted, even lost, in the general cacophony of oppositional shouting. What I question is using opposition to accomplish every goal, even those that do not require fighting but might also (or better) be accomplished by other means, such as exploring, expanding, discussing, investigating, and the exchanging of ideas suggested by the word 'dialogue.' I am questioning the assumption that everything is a matter of polarized opposites, the proverbial 'two sides to every question' that we think embodies open-mindedness and expansive thinking.
 The second reason that journals, and journalists, default to the Opposing View format is that they either don't know the subject, or have a highly masked position in the matter. Or don't know that they actually have an opinion on the subject.
 In my keynote during the Linux Lunacy cruise last week, I pointed to a pair of stories about Linux and Open Source in The Wall Street Journal that suffered terribly from the author's simple lack of knowledge about their subjects. They said Linux was legitimized by IBM (yes, but only very partially), that open source software was "developed outside the corporate framework" (most developers work inside companies), and that the profit motive drives its promotion (it does, but so do many other motives) — among other misleading things.
 But, as Dave says, the bigger problem is masked opinion by the "objective" jounals. On the subject of file sharing, newspapers like the Times have plainly been swayed by Hollywood's relentless campaign to redefine sharing as piracy — a campaign that has succeeded not only with newspapers like the Times, but with its technology partners as well.
 Read how uncritically Michael Kanellos of CNET News.com writes about the creepy new Intel-Sony "digital content standard" that will cripple the Internet in people's homes:
 The Digital Transmission Content Protection over IP (Internet Protocol) specification is aimed at balancing the interests of consumers, who recoil against restrictions placed on how and where they can use digital content, and copyright owners, who are terrified of piracy.
 Quick: define piracy. Here's dictionary.com:
 
  1. a. Robbery committed at sea.
    b. A similar act of robbery, as the hijacking of an airplane.
  2. The unauthorized use or reproduction of copyrighted or patented material: software piracy.
  3. The operation of an unlicensed, illegal radio or television station.
 Here are the top Google links.
 Add those up and you have to conclude that Hollywood's campaign to redefine sharing as piracy is now a complete success. What originally meant stealing by force on the high seas, and later meant hijacking — both brutal, violent actions — now means sharing "content" in ways that displease industry, government or both. That this issue is highly arguable from many directions is now largely lost. Mainstream journalists don't even need to think about it any more. Especially if they are themselves in the "content" business. (As are, by the way, publishers of dictionaries.) Hey, how can you argue about "piracy?" That it's bad goes without saying, right? Okay, some people want to defend it, so let's bring in some of the reasonable ones and let the two "sides" say a few lines, and call it a day.
 So it's no wonder that papers like the Times does a half-hearted job of covering the "debate" over file sharing.
 Meanwhile it's our job, both as bloggers and as professional journalists, to keep the matter alive and in real debate. Hollywood may have succeeded on this issue, but that doesn't mean we can't turn back the tide. We have a Net to defend here, and make no mistake: it is under attack.
 Bonus link: David Gergen interviews Deborah Tannen, at PBS.org.
 
Generalizations 
 Michael Moore, William Greider, Max Sawicky. William Safire, Chris Lydon and Sam Jones on Wesley Clark. The last two aggregate many others.
 The general's blog is here.
 
M2M 
 My standard personal technology knowhow disclaimer is "the only code I know is Morse."
 But every few years that knowhow comes in almost handy. For example, eleven days ago I noticed, after landing at LAX in a passenger plane, that a number of cell phones issued the same Morse message: three short beeps, two long ones, and three short ones. By Morse, that's SMS. I'd never heard it before. So I listened when the next plane landed, at Sea-Tac, in Seattle. Again, several SMS notices beeped around the plane. Then again yesterday, when I arrived in San Francisco, and again when I landed in Santa Barbara.
 Now I learn from Kevin that SMS is involved in Esther's new love life. Is her "boyfriend Eric" the same as the co-author of a June piece in Release 1.0? he wonders. That would be Eric Dean. I just looked up his name on Google and came up with this, this, this, this and this.
 Guess I'd better hurry up and start subscribing to Release 1.0 again. I let it run out a few months back.


There are responses to this message:




Copyright 2009 The Doc Searls Weblog

Membership : Join Now : Login

Create your own Manila site in minutes. Everyone's doing it!

Click to see the XML version of this web page.

Blogroll

 
Search archives

Santa Barbarians
Edhat
SB Independent
SB Newsroom
Kevin Barron
Blogabarbara
Craig Smith
SB*Free Press
Joe Andieu
Patrick Gregston
John Quiimby
Das Williams' dad
Katy Pearce
Taymar Pixley
Lisa Gates
Cookie Jill

Everybody else
Spot-on
RageBoy
MysticBourgeoisie
David Weinberger
Miscellaneous
Dave
Berkman
John Palfrey
IT Garage
Bret Fausett
Susan Crawford
Bruce Sterling
Steve Lewis/Bubkes
Hak Pak Sak
Brad Kava
Brad Templeton
Sheila Lennon
Don Marti
Steve Urquhart
Wes Felter
Brad DeLong
Tom Evslin
Brian Oberkirch
Dean Landsman
Hugh MacLeod
LAist
Jeremy Ruston
Geoff Jones
Vaspers the Grate
Sig Rinde
Chris Albritton
Ronni Bennett
Thomas Hawk
Kevin Bedell
Howard
Bryan
Deep Fun
BoingBoing
edhat
Terry Heaton
Jay Rosen
Kim Cameron
George Lakoff
Scott Rosenberg
Larry Lessig
Jim Thompson
Jeff Jarvis
David Isenberg
Stephen Johnson
Tim Oren
Geoff Moore
Rex Hammock
This is Broken
Max Sawicky
Stuart Hughes
Dave Pentecost
John Perry Barlow
Mary Hodder
Dan Gillmor
Steve Gillmor
Dean Landsman
John Stodder
Seth Finkelstein
Renee Blodgett
misbehaving.net
Ruby Sinreich
Ed Cone
Julie Leung
Ted Leung
Ken Coar
Flemming Funch
Mike Sanders
Marc Canter
Joi Ito
Ethan Zuckerman
Doug Kaye
Jon Lebkowski
Judith Meskill
Allen Searls
Esther Dyson
Christopher Lydon
Russell Beattie
Tim Bray
Brian Millar
Mark Pilgrim
Michael Hall
Backup Brain
Frankston, Reed
Britt Blaser
Brent Simmons
Loic Le Meur
Leslie Winer
Mike Taht
Eric Raymond
Volokh Conspiracy
Steven Levy
Lisa Rein
Skywave
Epeus' epigone
Glenn Reynolds
James Taranto
Frank Paynter
Ross Mayfield
Dana Blankenhorn
Ken Bereskin/Panther
Daily Wireless
Filchyboy
OxBlog
Bryan Field-Elliot
Rajesh Jain
Oliver Willis
Gary Turner
Michael O'Connor Clarke
Jennifer Balderama
Kevin Werbach
Amy Wohl
Phil Windley
Fulcrum
Real Joe
Greater Democracy
Mitch Ratcliffe /biz
Mitch Ratcliffe/soc
Wayne Robins
VivaCapitalism
Cut on the bias
Howard Greenstein
The Poor Man
Mickey Kaus
Dave Sifry
Buzz Bruggeman
Ben Hammersley
Matt Jones
Paul Andrews
John Robb
Schoolblog
Tom Shugart
Matt Welch
Blur Circle
Denise Howell
JY
BlackHoleBrain
Chris Pirillo
Marek
Tony Pierce
Chris Nolan's
Spot On

Wil Wheaton
Meg
Brian Linse
Dan Pink
Dawn Olsen
Craig
Yoz
The Head Lemur
Ev
Jeremy Zawodny
Susan Kitchens
K5
Anu Gupta
Jonathon
Fishrush
Dave Ely
Euan Semple
Eric Norlin
Paul Boutin
James Lileks
David Williams
Mary Wehmeier
Bruner Blog
Halley Suitt
Webword
Ann Salisbury
Om Malik
Moxie
J's Notes
Meesh
NUblog
TBTF
Cam
Seth Finkelstein
Tom Matrullo
Chip Hoagland
Deborah
Fortboise
J.D. Lasica
Photodude
Phil Wolff
Andre Durand
Eric Hansen
Mike McBride
Jeneane Sessum
Chris Nolan
Gonzo Engaged
Michael Mussington
UseTheSource
Wes
Adam
Sam Ruby
Miguel
Frank Field
Rebecca Blood
Joshua Allen
Cluetrain
JOHO
EGR
Searls site
Scoble
AKMA
Kottke
Tomalak's Realm
Tim O'Reilly
Mitch Kapor
Bill Quick
Dan Bricklin
Lou Josephs
Alan Reiter
N.Z. Bear
Todd Morman
Zeldman
Glenn
Joshua
Rex Hammock
Matthew Thomas
Brian Dear
Baylink
Burningbird