Home

Bio & Disclosures

Discussions


xFruits

2007 Events

 Saturday, August 13, 2005 Permanent link to archive for 8/13/05.

More of both, eventually 
 Doug Kaye has put up a long essay about public radio. The gist:
 The future of public radio may not be podcasting, but it will certainly be based on much lower-cost methods of producing and distributing most programs, and as incumbents in the industry, the WGBHs of the world are unable to cannibalize their own operations to the extent they must to survive. To do so would mean walking away from all the buildings and studios and firing 80% of the staff. Just as 3.5" disk drives replaced the 5" drives at a far lower price/performance ratio, so will the new public radio produce and distribute programs at a far lower cost. And it won¹t be done by the same organizations.
 ...
 In commercial radio we see the migration to the two models of talk and formulaic music. As others have said, there¹s no humanity left. Commercial stations will die the same way some of the telecoms bit the dust: They¹re competing for a limited base of customers with undifferentiated commodity products. It¹s ironic that the broadcast spectrum is a scarce resource yet those with license to use it are writing their own death warrants by using it so inefficiently.
 Public radio is on the same path. Sure, it's made worse by the facts that the Bush administration wants to rip the guts out of it, and that NPR and the local stations are always fighting over money and control. But the real problem is coming from the fact that listeners want long-tail time-shifted content. They want to hear programs that are more meaningful to them, and they want to listen at their convenience. The entire broadcast-radio system, with its distribution, simply can't provide what the customers want. It¹s not a flaw of management. There are very good people doing the best that can be done. The problem is inherent and systemic.
 Podcasting is to public radio what Garage Band and Pro Tools are to the music industry. Large recording studios are closing left and right because musicians ­ good ones ­ can produce great music in small project studios or even in their apartments. Moby is just one of the better-known examples. But more important than the stars are all the lesser-known artists. Because of iTunes and GarageBand.com, a significant portion of the market is shifting towards the long tail. The traditional music industry can only survive to the extent that it can support these new forms of production and distribution, and the same is true for public radio.
 I think Doug is right; but I think he's discounting the level of actual satisfaction that many listeners have with both commercial and noncommercial radio, and the incumbent technologies on the receiving end. iPods are a huge phenomenon; but they make lousy radios, and their sum population is a fraction of the car radio population alone.
 Satellite radio is a more immediate threat to terrestrial radio, and many cars now come equipped with it. But it's no less corporate than Clear Channel, and often sounds like it. My kid, who loves oldies, notices that Sirius' 50s and 60s channels are essentially tape loops that play exactly the same series of tunes, over and over. KRTH/101.1fm in Los Angeles, with a notoriously tight playlist of maybe 200 tunes, at least changes some of those tunes every week or so.
 It will be years before factory car radios (or players, or whatever we'll call them) support podcasting in a clueful way, and in large numbers. And don't hold your breath for the aftermarket radio business. Ever try to operate one of those? Even as radios and CD players, they have horrible UIs. The best they can do is offer a stereo input jack on the front and an AUX button, so you can play your iPod or whatever through them. And hey, we might do that; but will the rest of the driving world?
 And let's face it: there is much about the limits of conventional radio — it's scarce spectrum, its main street of familiar channels, and its currency (especially with news, weather and sports) — that listeners find familiar and appealing, in spite of the body-snatcher qualities of what one finds on most signals.
 Anyway, we'll get to where Doug's going (and leading the rest of us, frankly). But it will take awhile.
 Meanwhile, here's Mitch Ratcliffe's latest, with this quotage:
 So, for all the folks who rag on MSM and at the same time decry any effort to attach a business model to content: how the fuck are you guys going to pay for the news so that the news providers can reestablish the connection with customers? Last I heard, a person who isn't paying is not a customer.
 The only way that works, until we build the tech to make it happen in a better way, is voluntary payment, which supports both public radio and Doug's IT Conversations.
 I think the best first step is to make that as easy and efficient as possible.
 Meanwhile, most of us will make do with the familiar inefficiencies of what we've known all our lives.

discuss



Copyright 2008 The Doc Searls Weblog

Membership : Join Now : Login

Create your own Manila site in minutes. Everyone's doing it!

Click to see the XML version of this web page.

Archive: August 2005
Sun
Mon
Tue
Wed
Thu
Fri
Sat
 
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
 

Jul   Sep

Blogroll

 
Search archives

Santa Barbarians
Edhat
SB Independent
SB Newsroom
Kevin Barron
Blogabarbara
Craig Smith
SB*Free Press
Joe Andieu
Patrick Gregston
John Quiimby
Das Williams' dad
Katy Pearce
Taymar Pixley
Lisa Gates
Cookie Jill

Everybody else
Spot-on
RageBoy
MysticBourgeoisie
David Weinberger
Miscellaneous
Dave
Berkman
John Palfrey
IT Garage
Bret Fausett
Susan Crawford
Bruce Sterling
Steve Lewis/Bubkes
Hak Pak Sak
Brad Kava
Brad Templeton
Sheila Lennon
Don Marti
Steve Urquhart
Wes Felter
Brad DeLong
Tom Evslin
Brian Oberkirch
Dean Landsman
Hugh MacLeod
LAist
Jeremy Ruston
Geoff Jones
Vaspers the Grate
Sig Rinde
Chris Albritton
Ronni Bennett
Thomas Hawk
Kevin Bedell
Howard
Bryan
Deep Fun
BoingBoing
edhat
Terry Heaton
Jay Rosen
Kim Cameron
George Lakoff
Scott Rosenberg
Larry Lessig
Jim Thompson
Jeff Jarvis
David Isenberg
Stephen Johnson
Tim Oren
Geoff Moore
Rex Hammock
This is Broken
Max Sawicky
Stuart Hughes
Dave Pentecost
John Perry Barlow
Mary Hodder
Dan Gillmor
Steve Gillmor
Dean Landsman
John Stodder
Seth Finkelstein
Renee Blodgett
misbehaving.net
Ruby Sinreich
Ed Cone
Julie Leung
Ted Leung
Ken Coar
Flemming Funch
Mike Sanders
Marc Canter
Joi Ito
Ethan Zuckerman
Doug Kaye
Jon Lebkowski
Judith Meskill
Allen Searls
Esther Dyson
Christopher Lydon
Russell Beattie
Tim Bray
Brian Millar
Mark Pilgrim
Michael Hall
Backup Brain
Frankston, Reed
Britt Blaser
Brent Simmons
Loic Le Meur
Leslie Winer
Mike Taht
Eric Raymond
Volokh Conspiracy
Steven Levy
Lisa Rein
Skywave
Epeus' epigone
Glenn Reynolds
James Taranto
Frank Paynter
Ross Mayfield
Dana Blankenhorn
Ken Bereskin/Panther
Daily Wireless
Filchyboy
OxBlog
Bryan Field-Elliot
Rajesh Jain
Oliver Willis
Gary Turner
Michael O'Connor Clarke
Jennifer Balderama
Kevin Werbach
Amy Wohl
Phil Windley
Fulcrum
Real Joe
Greater Democracy
Mitch Ratcliffe /biz
Mitch Ratcliffe/soc
Wayne Robins
VivaCapitalism
Cut on the bias
Howard Greenstein
The Poor Man
Mickey Kaus
Dave Sifry
Buzz Bruggeman
Ben Hammersley
Matt Jones
Paul Andrews
John Robb
Schoolblog
Tom Shugart
Matt Welch
Blur Circle
Denise Howell
JY
BlackHoleBrain
Chris Pirillo
Marek
Tony Pierce
Chris Nolan's
Spot On

Wil Wheaton
Meg
Brian Linse
Dan Pink
Dawn Olsen
Craig
Yoz
The Head Lemur
Ev
Jeremy Zawodny
Susan Kitchens
K5
Anu Gupta
Jonathon
Fishrush
Dave Ely
Euan Semple
Eric Norlin
Paul Boutin
James Lileks
David Williams
Mary Wehmeier
Bruner Blog
Halley Suitt
Webword
Ann Salisbury
Om Malik
Moxie
J's Notes
Meesh
NUblog
TBTF
Cam
Seth Finkelstein
Tom Matrullo
Chip Hoagland
Deborah
Fortboise
J.D. Lasica
Photodude
Phil Wolff
Andre Durand
Eric Hansen
Mike McBride
Jeneane Sessum
Chris Nolan
Gonzo Engaged
Michael Mussington
UseTheSource
Wes
Adam
Sam Ruby
Miguel
Frank Field
Rebecca Blood
Joshua Allen
Cluetrain
JOHO
EGR
Searls site
Scoble
AKMA
Kottke
Tomalak's Realm
Tim O'Reilly
Mitch Kapor
Bill Quick
Dan Bricklin
Lou Josephs
Alan Reiter
N.Z. Bear
Todd Morman
Zeldman
Glenn
Joshua
Rex Hammock
Matthew Thomas
Brian Dear
Baylink
Burningbird